![]() Once you can envision them, you can begin to craft a logline that you think might appeal to them. In order to appeal to a specific viewer, you need to have a good idea of who that viewer is. In a marketplace crowded with studio tentpoles and pedigreed “indies,” the following rules will help make sure you have a fighting chance. You have one chance to grab your audience’s attention. Follow these three rules and you’ll give your film the best chance at success in the marketplace, especially if you don’t have a recognizable star to namecheck or a multi-million dollar franchise upon which to rely. The best loglines clearly define the conflict, introduce the main character, and make the audience want to know more (i.e. Your logline is both sizzle and steak, so you better make sure it whets the appetite of your intended audience. Equal parts creative inspiration and fastidious editing, the logline, along with the title, poster and trailer, is one of the four key marketing elements of your film. Writing the perfect logline is a meticulous pursuit. Loglines and Pitches - How to Reduce Your Book to.Mega-List of University Literary Journals Acceptin.2 New Agents Seeking Kidlit, YA, Literary Fiction.35 Great Writing Conferences in April 2018.34 Writing Contests in April 2018 - No entry fees.24 Calls for Submissions in April 2018 - Paying ma.He calls it the Killogator. It’s a simpler tool to use than the Toolbox, but just as valuable.īook Logline: What It Is & How To Write It Graeme Shimmin also has a great tool for generating loglines. Plug in a word or two, and the generator gives you several pitches. The pitch generator form asks a series of questions. You can choose between Character Journey, High Stakes, Romance, and World/Setting. YA Writers Toolbox has a pitch generator that is absolutely fabulous. Between the two, you will have some great loglines.) (I would suggest that you try both the YA Writers Toolbox and the Killogator. sounds of snoring.įortunately, there are some online tools that can help you. A typical logline from a writer would sound like this: "My book is an exploration of the nature of love in modern times encompassing the pitfalls of friendship and romance in an academic setting." No conflict, no goals, no protagonist, no antagonist. That's because we are too close to our own work. Writers are simply abysmal at reducing their books to a sentence. Pick a book that you know well, and boil it down to one sentence. Notice that in each of these examples, we have a main character, a goal, and a source of conflict. ![]() ( Silence of the Lambs )Ĭ) The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son. ( Taming of the Shrew)ī) A young FBI cadet must confide in a manipulative convicted killer to receive his help on catching another serial killer who skins his victims. You can read about it here.)Ī) An unwilling wife who despises her roguish husband eventually comes to adore him. As a consequence, Pitchfests, or Pitch Parties, have gained considerable traction. Agents have realized that reading a tweet takes less time than reading a query. Loglines are becoming increasingly important in the age of Twitter. If someone asked you, "What's your book about?" and you only had a few seconds to describe it, that would be your logline (also known as a pitch). In brief (no pun intended), a logline is a one- or two-sentence summary of your book's plot. Loglines, I discovered, were a way of pitching movie ideas when a filmmaker only has a minute (or less) to pitch an idea to a producer. ![]() (FYI, "faking it" is a required skill for writers.) Once I was off the phone, I immediately looked it up. When my agent asked me for loglines for my book, I had no idea what she was talking about.
0 Comments
Leave a Reply. |